In the Midst of Life, We Are in Death: On Marina Yuszczuk’s “Thirst”
Zachary Gillan reviews Marina Yuszczuk’s “Thirst.”
Zachary Gillan reviews Marina Yuszczuk’s “Thirst.”
Francesca Peacock reviews Lucas Rijneveld’s “My Heavenly Favorite.”
Brittany Menjivar will not rest until the whole world has fallen in love with Kenzy Peach.
Kate Wolf speaks with the poet Victoria Chang about her latest collection of poems, “With My Back to the World.”
Maria Bose and Jason Willwerscheid analyze corporate moves to adapt prestige video games into prestige TV.
Jeffrey J. Williams interviews Doran Larson about the American Prison Writing Archive and his new book, “Inside Knowledge: Incarcerated People on the...
Theo Spielberg appreciates Fatima Al Qadiri’s haunting score for the 2019 Senegalese film “Atlantics.”
Josh Billings reviews Matthew J. C. Clark’s “Bjarki, Not Bjarki: On Floorboards, Love, and Irreconcilable Differences.”
Amid a cultural re-embrace of “girlhood,” Emily Quintanilla revisits Sadie Shorr-Parks’s review of Elizabeth Acevedo’s debut novel, “The Poet...
Tom Allen reviews Hannah Proctor’s “Burnout: The Emotional Experience of Political Defeat.”
Ned Resnikoff reviews Pamela Robertson Wojcik’s “Unhomed: Cycles of Mobility and Placelessness in American Cinema.”
Mitski’s Friday show at the Shrine led rory hayes to question whether the audience had even gone through “Puberty 2” yet, misbehaving before their...
Lazz Kinnamon reviews Constance Debré's "Playboy."
Shannon Scott reviews Elizabeth Hand’s “A Haunting on the Hill.”
Eric Gary Anderson reviews Theodore C. Van Alst Jr. and Shane Hawk’s “Never Whistle at Night: An Indigenous Dark Fiction Anthology.”
Elizabeth Metzger reviews Jean Valentine’s “Light Me Down: The New & Collected Poems of Jean Valentine.”