The Fans Are Inhospitable (Are We?)
Mitski’s Friday show at the Shrine led rory hayes to question whether the audience had even gone through “Puberty 2” yet, misbehaving before their...
Mitski’s Friday show at the Shrine led rory hayes to question whether the audience had even gone through “Puberty 2” yet, misbehaving before their...
Lazz Kinnamon reviews Constance Debré's "Playboy."
Shannon Scott reviews Elizabeth Hand’s “A Haunting on the Hill.”
Eric Gary Anderson reviews Theodore C. Van Alst Jr. and Shane Hawk’s “Never Whistle at Night: An Indigenous Dark Fiction Anthology.”
Elizabeth Metzger reviews Jean Valentine’s “Light Me Down: The New & Collected Poems of Jean Valentine.”
Sarah Moorhouse reviews Eli Friedlander’s “Walter Benjamin and the Idea of Natural History.”
Leah Mandel reviews Emmeline Clein’s “Dead Weight: Essays on Hunger and Harm.”
John C. Reilly mistakes Sierra Ferrell for his buddy Will (no relation?) at the Fonda Theatre/dairy farm/honky-tonk, Kate Sadoff reports.
Eric Newman speaks with director Morgan Neville about his new film “STEVE! (martin) a documentary in 2 pieces.”
Devin Griffiths reads Frank Herbert’s “Dune” as a novel of environmental protest.
Julia Gunnison reviews Radu Jude’s “Do Not Expect Too Much from the End of the World.”
Emmeline Clein reviews the reissued edition of Heather Lewis’s “Notice.”
Lori Marso reviews Christine Smallwood’s book on “La Captive” (Chantal Akerman, 2000).
Mimi Howard reviews Iris Moon’s “Melancholy Wedgwood.”
Julia Berick reviews Sheila Heti’s “Alphabetical Diaries.”
On this special episode, hosts Medaya Ocher, Kate Wolf, and Eric Newman talk about the ethics and politics of memoir in the wake of several recent...