All Together Now: On Leah Hunt-Hendrix and Astra Taylor’s “Solidarity”
Edward Carver reviews Leah Hunt-Hendrix and Astra Taylor’s “Solidarity: The Past, Present, and Future of a World-Changing Idea.”
Edward Carver reviews Leah Hunt-Hendrix and Astra Taylor’s “Solidarity: The Past, Present, and Future of a World-Changing Idea.”
Naa Oyo A. Kwate lauds Uché Blackstock’s grounded memoir about racism in medicine and denounces Constance Hilliard’s genetic explanation for Black...
Sarah Brouillette reviews Melinda Cooper’s “Counterrevolution: Extravagance and Austerity in Public Finance.”
Jayson Buford revisits Curtis Hanson and Eminem’s “8 Mile.”
Are people—and the United States—doomed to be the subalterns of the aristocrats?
Zachary Gillan reviews Marina Yuszczuk’s “Thirst.”
Francesca Peacock reviews Lucas Rijneveld’s “My Heavenly Favorite.”
Brittany Menjivar will not rest until the whole world has fallen in love with Kenzy Peach.
Kate Wolf speaks with the poet Victoria Chang about her latest collection of poems, “With My Back to the World.”
Maria Bose and Jason Willwerscheid analyze corporate moves to adapt prestige video games into prestige TV.
Jeffrey J. Williams interviews Doran Larson about the American Prison Writing Archive and his new book, “Inside Knowledge: Incarcerated People on the...
Theo Spielberg appreciates Fatima Al Qadiri’s haunting score for the 2019 Senegalese film “Atlantics.”
Josh Billings reviews Matthew J. C. Clark’s “Bjarki, Not Bjarki: On Floorboards, Love, and Irreconcilable Differences.”
Amid a cultural re-embrace of “girlhood,” Emily Quintanilla revisits Sadie Shorr-Parks’s review of Elizabeth Acevedo’s debut novel, “The Poet...
Tom Allen reviews Hannah Proctor’s “Burnout: The Emotional Experience of Political Defeat.”
Ned Resnikoff reviews Pamela Robertson Wojcik’s “Unhomed: Cycles of Mobility and Placelessness in American Cinema.”