Who Does and Doesn’t Belong on Everest?
Your climbing guide Kate Sadoff offers you a “peak” at the release reading of Will Cockrell’s “Everest, Inc.: The Renegades and Rogues Who Built an...
Your climbing guide Kate Sadoff offers you a “peak” at the release reading of Will Cockrell’s “Everest, Inc.: The Renegades and Rogues Who Built an...
For Earth Day, Bill McKibben speaks with Elizabeth Kolbert about climate change and her new book “H Is for Hope: Climate Change from A to Z.”
Dorothy Berry reviews Laura Helton’s “Scattered and Fugitive Things: How Black Collectors Created Archives and Remade History.”
Maya Chen attends “Funny Girl” to find the music that makes her dance, even with a sprained ankle.
Robert P. Crease reviews Adam Frank, Marcelo Gleiser, and Evan Thompson’s “The Blind Spot: Why Science Cannot Ignore Human Experience.”
Shoshana Olidort reviews Mireille Gansel’s “Soul House.”
A double-header episode about two new novels that each feature high stakes feats of translation.
Brittany Menjivar reviews Nicolette Polek’s “Bitter Water Opera.”
Dashiel Carrera reviews Nicolette Polek’s “Bitter Water Opera.”
Office-core hyperobjects give Chase Bucklew the technocreeps at Katherine Behar’s UC Irvine solo exhibition.
Manan Kapoor reviews “Songs of an Eastern Humanist” by Edward Said.
Catherine Chou discusses “Taiwan: A Contested Democracy Under Threat” by Jonathan Sullivan and Lev Nachman.
Jazz group Outside World leads Tosten Burks to self-reflection at their Hollywood release show.
In the first of a series, Osagie K. Obasogie explores the history and persistence of eugenics in science, medicine, and elsewhere.
Bob Blaisdell reviews Sophie Ratcliffe’s “Loss, a Love Story: Imagined Histories and Brief Encounters.”
Woo-hoo! Brittany Menjivar gets her head checked by a jumbo jet at Blur’s pre-Coachella warm-up show in Pomona.