I Also Split in Two: On Sara Deniz Akant’s “Hyperphantasia” and Jessica Laser’s “Planet Drill”
Noah Warren reviews Sara Deniz Akant’s “Hyperphantasia” and Jessica Laser’s “Planet Drill.”...
Forever in Unfinishing: On Adam Tavel’s “Rubble Square”
Jane Zwart reviews Adam Tavel’s latest collection of poetry, “Rubble Square.”...
Lyrics in Search of an Allegory: On Three Recent Books from Rachel Hadas
Sunil Iyengar reviews Rachel Hadas’s recent collections of poems, “Love and Dread” and “Pandemic Almanac,” alongside “Piece By Piece: Selected Prose.”...
Private Domain: On Ada Calhoun’s “Also a Poet”
Alec Pollak reviews Ada Calhoun’s ”Also a Poet: Frank O'Hara, My Father, and Me.”...
A Precarious Peace: On David Mason’s “Pacific Light”
Siham Karami reviews David Mason’s new collection of poems, “Pacific Light.”...
The Legacy of a Caged Bird: On Gene Andrew Jarrett’s “Paul Laurence Dunbar”
Vesper North considers Gene Andrew Jarrett’s updated biography, “Paul Laurence Dunbar: The Life and Times of a Caged Bird.”...
Featuring Emily Dickinson and Phoebe Bridgers: A Conversation with Andrew Bird
Elizabeth Metzger interviews Andrew Bird about his new single, “I felt a Funeral, in my Brain,” featuring Phoebe Bridgers....
In / Divisible Ink: On David Lloyd’s “The Harm Fields”
Michael Davidson reviews David Lloyd’s new poetry collection “The Harm Fields.”...
Idylling: On Wesley McNair’s “Late Wonders”
Josh Billings reviews Wesley McNair’s “Late Wonders: New and Selected Poems.”...
To Be Seen Clearly or Not at All: On Ama Codjoe’s “Bluest Nude”
Madeleine Cravens considers “Bluest Nude” by Ama Codjoe....
Heavied with Endgame: On Jorie Graham’s “[To] the Last [Be] Human”
John James considers “[To] the Last [Be] Human” by Jorie Graham....
Retouched with the Stone: On Les Murray’s “Continuous Creation”
Spencer Hupp considers “Continuous Creation” by Les Murray....
