There’s No Such Thing as a Guilty Pleasure
Katharine Coldiron ponders why we love the bad art we love.
Katharine Coldiron ponders why we love the bad art we love.
Katharine Coldiron looks at the cultural dysphoria caused by the Hays Code in US cinema.
"White Flights" is a faultlessly argued collection of essays about how whiteness dominates the American literary imagination.
Katharine Coldiron on Esmé Weijun Wang’s prize-winning essay collection, “The Collected Schizophrenias," which joins the schizophrenia memoir canon.
Katharine Coldiron explores the Greenland of Niviaq Korneliussen’s “Last Night in Nuuk” and finds the writing immature but promising.
Katharine Coldiron decodes Icelandic author Sjón’s “CoDex 1962,” a “risky, funny, sexy, entirely unique book.”
Katharine Coldiron admires the structural audacity of Debra Jo Immergut’s prison-bound psychological thriller.
Katharine Coldiron finds Rita Bullwinkel’s debut story collection skillful but distant.
Katharine Coldiron finds Carl Frode Tiller’s “Encircling 2” an incomparable intellectual escapade.